What a man to admire. We should all make a pilgrimage to Beyreuth to pay our lifetime respects to this great man.

Christensen's portrait of the Reformation's effect on Christian Iconography is absolutely fascinating. He is incredibly thorough, examining in detail the pamphlets issued by figures like Zwingli and Karlstadt, and the profound effect that they had on the perception of art among the populace in Germany. He provides a great deal of statistics about the extent and form of damage by region, and examines in depth the reconstruction of a new and acceptable Protestant Iconography as it was concieved by Martin Luther and put in effect by Lucas Cranach the Elder. I wish it was still in print.

Stunning. Very high quality paper and printing. Profusely illustrated with hundreds of first class reproductions. Studiously non-political text. Expensive but worth every bit of it. An aspect of the Third Reich that the public is rarely, if ever, permitted to see.

This is the only audiobook exposition and analysis of Schopenhauer's works I've encountered (if you know of another please e-mail me!). It was done in the mid-1990's by Knowledge Products, and I've gathered that many of these titles (I believe there are 12, each one an approximately 2.5 hour affair covering major philosophers from Plato to Sartre) are going out of print. They are all narrated by Charlton Heston, but don't think you'll be stuck with the gravelly-voiced Moses for the entire two cassettes. The producers utilize a revolving cast of actors to bring to life the thinkers themselves-- in this one we hear them "play" Kant and Nietzsche as well as the anonymous reviewer in Britain who brought Schopenhauer to the public's attention in his piece on Arthur's final publication, _Parerga and Paralipomena_. You will think the vocal imitation (including heavy accents) of history's greatest minds either cheesy or effective; I am of the latter. There is a biographical portion, to my mind heavily borrowing from the opening chapter of perhaps the finest book on Schopenhauer in English, Bryan Magee's _Philosophy of Schopenhauer_, followed by an exegesis of Schopenhauer's thought. Schopenhauer was that most darkly cast of philosophers, despite being highly influential on artists, poets, and musicians of every sort. Many believe (and I among them) that his adaptation and extension of Kantian philosophy outclasses Hegel's, Fichte's, and Schelling's. The background and context to Schopenhauer's work is well represented, and the presentation is liberally peppered with selections from his writings. There are also reactions to Schopenhauer and a short criticism of his work to wrap things up. If anything, the reading of the final lines from Schopenhauer's central work, _The World As Will and Representation_, are worth this audiobook alone-- not to mention Heston's voicing (via the scriptwriter I assume) that Schopenhauer's view of life as purposeless touches on the "appalling." (!) (hilarious!)

I learnt a lot about the ASP market by reading this, and actually changed strategy based on this. The result: lower costs and happier customers.

A truly well written docu-drama that will hold your interest throughout. The story line is based on historical fact and the charactors bring it to life. I highly recommend it...

John McKee

Books of fiction and nonfiction, films, paintings, and museums abound in the ongoing ceaseless inspection of the atrocity and madness wrought by Hitler in Nazi Germany. It is an unfortunate fact that such turmoil gives rise to some of the best art in the years after the strife. Norman Page, in his brilliantly researched and written AUDEN AND ISHERWOOD: THE BERLIN YEARS, has selected two men of great significance in literature and poetry as his points of entry into studying the Berlin that seduced the world before it jolted nearly to an end. These portraits of Auden and Isherwood are really an examination of an historical time that altered the art world as inevitably as it altered our sense of the dangers of dictaorship.

Initally drawn to Berlin from the hallowed halls of English academe because of the rowdy free sex/hedonisitc atmosphere that had become Berlin, "Berlin meant Boys" and both our artists fled the England that sacrificed Oscar Wilde to find the open sexual freedom of the City of Sodom. Author Page gives us such a rich, fascinating ride through the places and faces of pre-war Berlin that we are finally allowed to see why Modernism started, why cinema became important, how artists such as Grosz and Dix and composers such as Weill and Stravinsky, scientists (Hirschfeld) and writers (Brecht) found such acrid colors for their creativity. Page is not confined to his title characters, though we learn more personal characteristics than any writer has dared to date: we are informed about Marlene Dietrich, Stephen Spender, Benjamin Britten, as well as a constellation of other characters encountered by them. This volume reads like a novel (not without some kinship to Isherwood's famed GOODBYE TO BERLIN), but its importance as a publication is its uncommonly thorough view of why Hitler rose, why the Berlin Wall was destined to be (and to fall), and why the center of the artistic universe was for a few short years the glossy, naughty Berlin.

This book is a must for those who want to understand the beginnings of sexual freedom, those fascinated by the inception of WW II, and for those who happen to love the poetry of W.H. Auden and the stories of Christopher Isherwood. Keep this book on your literary Reference Shelf.

This book has haunted me since I found it in our local library. I am ordering a used copy since it is out of print. Basically the book is a copy of a kind of souvineer scrapbook made by someone on the staff of the notorious camp. It is mostly pictures by the camp official photographer. The pictures are actually quite prosaic & even nostalgic. It documents the various phases of the camp operation. The pictures of the dead & their disposal are not included but this actually heightens the effect. Pictures of groups of ordinary people most of whom were dead an hour after their picture was taken. The book was found by a camp survivor, became a famous artifact & rare document of the holocaust. The book is designed to simulate the original scrapbook. The pictures are accompanied by quotes from accounts from other books & captions which illuminate what is going on beneath the almost tranquil surface. I worked in a military film archives years ago which had footage taken during the camp liberation. This is far more disturbing.

I loved this book, and I couldn't put it down. Great read about the Holocaust. Very chilling to see how the women in the death camps, especially Auschwitz were treated. The font is for 6th Graders, but I feel that it souldn't be read, for the graphic nature, until high school.

A very good read.

I used this book for my project. This is a really good resource for term papers. Not only does it describe in detail almost everything about Austria: historical, society, economy, government, politics, security, and more, but it outlines and summerizes each chapter in the book for easy reference. There aren't many good pictures, but overall I would definitely recommend this book to you.